I spent eleven years producing digital sports coverage that had to work the first time.
Before I filmed weddings, I worked at ESPN, producing sports coverage for one of the biggest brands in all of media. The work moved fast: tight timelines, breaking-news stories, and professional, high-quality productions that had to come together quickly and cleanly. That experience taught me how to stay steady under pressure, solve problems quickly, and make complicated coverage feel effortless.
I left in 2017 to build something of my own. I wanted work that mattered to the people in it. Since 2021, I've been filming weddings and earning all 5-star reviews from the couples who trusted me with their day.
I'm based in Manchester, Connecticut, and I film across Connecticut and New England. I've worked at Saint Clements Castle, Bill Miller's Castle, The Society Room of Hartford, Evergreen Farms, Anthony's Ocean View, The Pavilion on Crystal Lake, The Waterview, The Riverview, The Aqua Turf Club. in churches, in backyards, in a public park, at golf courses, by the ocean, by a lake, by a river, and tons of places inbetween. I've filmed a Sangeet with Bollywood and classical dance for a couple planning from London. I've filmed videos of the guests sharing their favorite memories of the couple. I've filmed a father performing a song he secretly rehearsed just for his daughter on her wedding day. I've captured big moments and small moments and I can't wait to do that for your and your celebration.
BEFORE THE DAY
A good wedding film starts long before I press record. It starts with listening, answering questions quickly, understanding what matters to you, and helping the day feel less overwhelming before it even arrives.
I answer my own email. I make time around your schedule. I’ll talk through your timeline with you, help you think through what needs to happen when, and make sure I plan to capture every unique moment. Couples often come to me unsure about what they need from video, how the timeline should work, or whether certain ideas are even possible. My job is to make those questions feel manageable.
"Throughout the entire process he was very easy to communicate with and always quick to respond to us. He set up time around our schedule to talk and walk through things." — Gabriella M.
"He takes the time to work with you to make sure you get what you are expecting for your video before your big day." — Katie C.
"It was really relieving, during the wedding planning process, to know that there was at least one thing we didn't need to worry about — our wedding video — because Ben knew exactly what he was doing." — Alia H.
That kind of preparation matters because weddings move quickly, and most couples are planning one for the first time. I want you to feel like you have someone in your corner before the day begins — someone who knows what to look for, what to ask, and how to keep the video side from becoming one more thing you have to manage.
ON YOUR WEDDING DAY
On your wedding day, I work quietly and unobtrusively. I’m not going to stop the moment to ask you to stand somewhere else because the light is better, or turn your day into a production set. My job is to read the room, stay out of the way when I should, step in only when it helps, and capture what is actually happening between you and the people you love.
"So many people told us they had no idea we even hired a videographer until they saw the video." — Lindsey Y.
"He was there without necessarily feeling like he was there, and without all the equipment being in the way or in the photos." — Brianna W.
"He arrived early and prepared. He was dressed in a nice suit and fit right in with our wedding guests." — Maria T.
I dress like a guest, I show up early, and I work well with your photographer — they're doing a different job than I am, and the day goes better when we're not competing for the same space – and all of your other vendors.
"Our other vendors got along well with him, and he brought a sense of positivity and calmness to our wedding day." — Maria T.
"Ben is prompt and ready to go on your wedding day, making things flow smoothly, and makes things way less stressful." — Katie C.
WHAT I DO AFTER YOUR WEDDING
Filming your day takes eight to ten hours. Turning it into something you'll want to watch takes a lot longer.
Color: Cameras don't record true color — they record a sensor's best guess, and every room you'll be in that day is lit differently. So I correct every shot: matching cameras to each other, adjusting for the light, restoring skin tones, bringing back the actual shade of the flowers you chose. When it's done well, you don't notice it at all. You just recognize your own wedding.
"In Ben's videos we saw the true colors of all the flowers we picked out, our attire, the water and plant life, our skin tones, and the cloudy day." — Maria T.
Sound: This is the part couples never expect. Wind across a microphone during your vows. An air conditioner. A table of guests near a mic during a toast. A DJ who's louder than your officiant. I clean all of it, balance the levels so nothing makes you reach for the volume, and make sure you can actually hear the things that were said to you that day.
"The quality of the pictures and sounds on the video were top notch and bring us right back to our wedding day." — Brittany B.
Music: I'll choose music that fits the feeling of your celebration — or if you have songs that matter to you, I'll build the edit around those instead. Your call, always.
"We absolutely love how our video turned out — it captures exactly how we remember our wedding day." — Gabrielle B.
"You can tell the effort and care he puts into his work when you watch his films." — Julia B.
Couples occasionally ask me for the raw footage. I tell them they're welcome to it, but they won't like it. The film is the work.
EVENT, PERFORMANCE, AND ORGANIZATIONAL VIDEO
Weddings are personal, but they are not the only live events that need careful coverage. I also film for university music departments, high school athletics programs, and organizations that need polished video from moments that only happen once.
For performances, concerts, recitals, and ceremonies, I focus on clean visuals, clear audio, and coverage that respects the room. For athletics programs, I understand the pace of a game, the need to react quickly, and the importance of capturing the moments that matter without interrupting what is happening.
That background matters for schools, departments, nonprofits, and businesses that need professional video without turning the event into a production. I can work within existing schedules, coordinate with staff or venue teams, capture the event efficiently, and deliver finished video that feels organized, natural, and ready to share. (SEE SOME EXAMPLES OF THIS WORK HERE)